Friday, 29 November 2019

COP: DER GREIF MAGAZINE RESEARCH

Der Greif magazine have released their 12th issue this year based upon the theme of censorship online. Der Greif is a contemporary photography magazine. They took hundreds of submissions for this issue and refined their selected content into two halves. The first half being images that were still disturbing but not disturbing enough to be censored on social media platforms and on the second half of the magazine, the reader is encouraged to flip the book in reverse and view the images that were too sensitive to be posted online. This idea forces the readers to purchase the printed edition to be able to view the content exclusively in person. They manage to promote the content online in a a unique way that is online available digitally also. They have done this by censoring parts of the images, making them viable for digital publishing only.




This gives the reader the perfect opportunity to explore the magazines print and digital platform as it executes its relationship between the two perfectly. The 12th issue also features a four hour interview with former Facebook content modular to understand how digital platforms decide what content is released online and what is not. Altogether, the magazine creates a very intimate experience between its social media platforms, website (where you can purchase the magazine and read small extracts) and the final printed unit. 



Thursday, 28 November 2019

COP: TUTORIAL 2 FEEDBACK

After my one to one tutorial regarding my essay and practical work for COP, I have been given a clearer idea of how to refine my essay and practical work. Within my essay, I have been advised to read through it and point out parts where I seem to be asking questions rather then answering them. I also spoke about the magazine, Der Greif magazine which offers its cover to be located solely online whilst keeping all their content exclusive in print with not cover whatsoever. I now know I need to further research that and include it within my essay and perhaps this could also account as research towards my practical.


Within my practical work, I was told to experiment more with the scale of the images and see how small I could really make them. Once I had done this I should emphasise a link to see the rest of the content online a bit more to really capture that relationship between the two platforms. 






Friday, 22 November 2019

PPP: BIZAAR BINGO POSTER

I was approached by photography level 5 student Joshua Hart, to design a poster and facebook header for the upcoming bingo society at uni.

I chose the typeface 'Gastromond' as the title font due to it's loud and playful attitude, reflecting the games nature. The event is titled 'Bizaar Bingo!'. A bizaar is a middle eastern market selling miscellaneous goods such as food, pottery, jewellery and more specifically textiles, clothing and rugs. I used a typeface that resembled a textile like object and intertwined it with the expressive 'BINGO!' type to create a logotype for the poster.




After this, I illustrated several bingo balls to act as the key hook within the poster to demonstrate simply what the poster was advertising. Once I had these, I began rearranging the the type and images with the event information in different ways with different colours until I had what I wanted. Below is a visual journey of how I got to my final design.




















COP: P-RESEARCH INTERVIEW WITH STEVEN WATSON (STACK MAG)


Ruben
How's your day?

Steven Watson
Yeah it's not bad, busy

Ruben
Cool. I've got a few questions to help me with my dissertation and so I'll just start with 'Who are you and what do you do?'

Steven Watson
I'm Steve Watson and I run magazine it's called Stack.

Ruben
I understand like stack magazines has been around over a decade now and I was wandering if you could tell me about how it's developed and changed over those 10 years?

Steven Watson
Well sure. So pretty much the first five years it was something that I did on my own and it was this thing that was like you know I had a job when I was doing it, I was working one day a week in two days and we had three days a week. But all that time there was always like other jobs actually paid my wage. And then after about five years I went full time and after about six years I started hiring people to work with me and yeah now we are where we are now and basically that's at each stage with that as you can do it's like you know what one day a week, all I could think was I'm not sure what I could do if I could do two days a week and at each point as you might sort of add more capacity you're able to do more things and the subscription is still the main part of what we do. These days we also have an online shop where you can just go buy a magazine and we run an annual awards ceremony which is just happened last week so it's kind of like you know we built out and built out.

Ruben
So, when did that become your main job then?

Steven Watson
I reckon that would have been around 2013.

Ruben
Why do you think it's important for people to read magazines then? Obviously, it's a passion of yours so why should people care?

Steven Watson
So my degree was English and when I was there I had a lots of books to read but I also I always felt like magazines had a guilty pleasure where they're sort of easier then book space. I think big pictures, headlines and hope was sort of like help me to get into stream and think that like if you go to the opposite extreme. like now obviously these days where I spend most of my day looking at a screen. So, like I just have like a huge amount of black stuff coming up the whole time. Get my email twitter or whatever it is. I think that like print magazines have kept that kind of slowness to them. So, you basically know when you sit down and read a magazine you fundamentally can't do anything else and you read, just sat reading a mag. I think to me the thing I like about it is I sort of like the contemplations compared to looking at something you know every day.

Ruben
I think it's like a conclusiveness that you get maybe that you might not get on other platforms. What do you think all the benefits of having an online platform for publishing?

Steven Watson
I mean the reach is potentially way way higher than it is in print. It's actually way cheaper than doing something in print and I mean like virtually all the independent magazines that we work with have some kind of online it's like it's sort of like, print is often working in opposition to things like that but that's obviously nonsense we all live our lives online you know, these magazines all have to take advantage of the best they can get from digital to be able to promote what they're doing in print.

Ruben
Do you think it's possible for a magazine to exist without any online platform or presence at all?

Steven Watson
I mean I guess it's possible yeah and particularly if that were like you know parts or get behind the idea behind it. Did you see Der Greif magazine? That's a gentlemen's photography magazine which we sent out on Stack this summer and the concept for the latest issue was wanted to look at an online censorship and so they basically took a lot of images that would be too explicit or too political, basically for whatever reason those images would not be allowed on Facebook. And so that has a bit of an exercise in looking at censorship of images that we have going on the whole time and don’t even realise it. They made that as a print magazine and that's part of that concept they literally only released the cover of the magazine online. So the only way that you can see this magazine is to actually have to go to print.

Ruben
Have you heard of Cut magazine from Berlin? They don't have an online presence and they've worked for 10 years through print and I guess I just wondered how that worked and how they were won loads of awards for it as well. I guess like the idea of being a DIY fashion magazine resembles the fact that they stick to print and physical and they stick to the DIY original idea of it.

Steven Watson
If it's the one I'm thinking of they go really big on physical production so they'll stage amazingly elaborate photoshoots where something they could do by photoshopping an image is done for real in front of the camera.

Ruben
How important do you think it is to print and publish in in an age today where the environment is so taboo, and we need to be so considerate of it?

Steven Watson
I'm sure I'd say that it is important in the sense that you know we have to have it otherwise like when you shoot something really important. I just think it's more that there's been this assumption for a long time that now that the internet and that digital exists print will therefore die. I think that whereas you know if you look at sort of newspapers for example there's a very strong case for saying that the big newspapers will not be printed on paper so that much longer, Monday to Friday. And whereas I think this sort of function that these magazines fulfil in terms of having something that you know useful like you buy it you hope you really like it and can keep it on the shelf forever. I sort of can't really see that going away. I think that's really sad that appeals to people beyond the actual communication or lack the words and pictures.

Ruben
Do you know of any magazines that like practice sustainability to like the core of that print design?

Steven Watson
Yeah absolutely there are a few. And we had an event at the start of this year on like sort of green independent publishing so I'd say take a look back at that and actually the really interesting thing that came out of that I think is as soon as someone says they are environmentally sustainable, there's a question of like how that's measured and what that means. So, for example at that event we had somebody who said you know very proudly ‘well you know we print these printed because they have no landfill policy', and then somebody else was like 'yeah but that just means that burn it all.' So the like kind of these things the same sort of like type of inks that only to the thing then this kind of temptation I think because you just want a headline "yeah we went green" that people sort of reach for that but there's obviously a lot of complexity behind that. I read a really interesting thing recently about how to charge an iPad. It takes a negligible amount of electricity, almost nothing, but the amount of power it takes to stream a movie per month is the same amount of electricity as it takes to run a refrigerator for a month. It is basically the data stuff that you're watching with film is obviously stored on a server somewhere and like that and that's this like huge power source. And it's a book, the book was called New Dark Age by James Bridle.

Ruben
What do you think is the future of digital magazines? Do you think that it'll overtake print and begin subscribing online?

Steven Watson
I'm not sure what a digital magazine is. When I-pads first came out, there was this kind of rush to me like Adobe and they did it in partnership with Condé Nast for like sort of establishing what digital magazine is. And that's why I sure would like to sell away. I think these days I mean a digital magazine is effectively a website. So, what's the difference between a digital mag and a website. The easy access to information essential away so I doesn’t really I don't like sort of I don't look to digital or magazine publishing as being a big thing that is like talking to people looking to use the future.

Ruben
Do you know e-flux magazine?  I guess that defines itself as a digital magazine. But then I guess some print magazines use that digital for different uses maybe.

Steven Watson
But well I guess what I mean is it's more like when I think about someone sitting down with like an iPad or a phone, something like that going for a specific environment to reach stuff, I mean that happens, for instance some good news websites so maybe that you might read the guardian of the times or something like that and that I'm like know people who do that. I do not. I just don't know people are like right. I know I'm going to do now I'm going to take out my iPad and open up this publication. I just don't know that they exist.

Ruben
It's true. Printed information goes in easier as well compared to digital because we usually skim it. Last question for you which is sort of a summary of my essay is that do you think that online platforms need to coexist with print platforms to able to create a successful magazine?

Steven Watson
So, I think that, and like I said before I think that like virtually all print magazines need to have something online. Unless it's really fundamental to the idea of what print magazine is, I don't think that all online platforms need a print. It's pretty quiet land and that's neat. So, what they're doing is due to speed and the accessibility so I think that's a pretty one-sided relationship to be honest.




Monday, 18 November 2019

PPP: HAWRAF GOOGLE DRIVE

Studio Plan:

I find this an interesting approach to setting up a studio given the amount of time they seem to have spent organising how their creative office would look. This has made me reflect on how important it is to enjoy the space you work in and be at one with it. Enjoying this is extremely important within the creative process.

https://drive.google.com/drive/u/0/folders/1CsYoxfZ8nd9tlP3PS99YMQcYZsd1lWlv?mc_cid=9be42ada5d&mc_eid=%5BUNIQID%5D



Brainstorming:

Physically brainstorming ideas for a project with your team seems like a great way to work and maintain the idea that everyone can be on the same page within a project. I will try this out next time I initiate a group project.

https://drive.google.com/drive/u/0/folders/1GgJnj7gT2Dg3JS9hcfUWwm_FNxLPkdvB?mc_cid=9be42ada5d&mc_eid=%5BUNIQID%5D


Master Services Agreement:

I find that this is something I'll need to generate if I continue to do small pieces of freelance work. Having a formal contract for the client to read will help me complete client based projects within a time frame that'll benefit me the most. It will also make sure I get paid the full amount that I have have worked for and make sure I haven't been taken advantage of. I will write a smaller for concise version of this contract for my smaller freelance jobs. 








COP: PRIMARY RESEARCH QUESTIONS

After a few emails back and fourth between the art director of Stack Magazine, I have been given the chance to ring him and ask a few questions about his beliefs in the printed magazine industry. Below are the questions I will be asking him in relation to my theories in the essay.


Q1: Who are you and how is your week?

Q2: I understand that Stack Magazine has been around for just over a decade now, can you tell me how it has developed over this time?

Q3: Why do you think its important for people to read magazines?

Q4: What do you think is the benefit of having an online platform for a published magazine?

Q5: Do you think a magazine needs an online and print presence to coexist to be able to succeed? 

Q6: How important do you think it is to have printed publishing in an age where we need to be extremely considerate about the environment? 

Q7: Can you tell me about a magazine that practices with sustainability within their print design?

Q8: What do you think is the future for digital or print magazines? 



Friday, 15 November 2019

COP: PRACTICAL CRIT

During my crit today, I had my most up to date practical mock up receive some feedback in order to help me to develop it further. Most of the feedback I obtained was positive and I was given a couple of things I could experiment with to improve it further. A few things I will do to develop my idea in reflection of my research is to use less ink for sustainable reasons and to encourage the reader to use the website hand in hand. This will be done my using the patterns negative over some of the images, using less ink and hiding some of the image encouraging the reader to see the whole image on the site. I will also experiment with sizing the images down to a tiny scale for similar reasons. I could also try cutting the articles in half to the reader could be persuaded to finish the article online.

Wednesday, 6 November 2019

COP: PRACTICAL DEVELOPMENT

After concluding my practical idea, I continued to develop the physical publication. I collected more content from the website and inserted it into my layout, ready for print. I experimented with the way the publication would be held due to the website having side scrolling aspects as well as up and down. I printed my mockup with blue ink due to it being the most eco friendly ink and most easily recyclable. I inserted some editors notes at the beginning of the publication to give the reader an insight into why this document existed. I also included a small extract from the e-flux website regarding the 'printed page'.

Editors Notes:


e-flux in print has been designed for a fast pace reading experience. Using newsprint and printing with blue ink has assured that this document is 100% recyclable. Once you have finished with this document, feel free to throw it straight in the recycle bin!

Publishing in print is a key way to understanding information to its full potential. The printed page serves as an important commitment to a certain temporal conclusiveness. It may not be how content moves, but it is how content asserts that it exists, even if only temporarily. This is why we have transformed part of our content to print, to achieve this particular conclusivness that we believe in. 

This publication will be free and will be found in art institutions around the world. Given the fact it'll be so cheap to produce and so healthy for the environment, it wont have any negative impact on e-flux's business or the world. When the publication is discovered by its audience, they can continue to read the articles online or via its print. This may also inform people of this magazine if they did not know it previously existed. 





Tuesday, 5 November 2019

PPP: WORK PLACEMENT SESSION

Potential jobs:


  • Junior Designer
  • Visual Merchandiser
  • In-House Designer
  • Freelancer
  • Typographer
  • Art Director
  • Copywriter
  • Art Worker
  • Editorial Designer
  • Tutor / Lecturer
  • Studio Founder
  • Ad Agency
  • Design Consultant
  • Project Manager
  • Digital Design
  • Illustrator
  • Product Design
  • Set Design
  • Marketing
  • Social Media
  • Content Strategist
  • Packaging Design
  • Web Designer
  • Motion Designer
  • Creative Director
  • Exhibition Design
  • Printmaking
  • Account Director 
  • Brand Strategist
  • Imagery Toucher
  • Social Media Manager

16 Personalities Quiz Results:



This is the hardest bit, but you have to do your research, invest time and be resilient.

What ways can you get in touch with a chosen company?
  • Email
  • Instagram
  • Twitter
  • Send something in the post
  • Call them
  • Linked in
  • Invite them to your event
  • Have your peers review your emails
What should a good email look like?
  • Short and sweet
  • Professional email address
  • Bold subject/memorable
  • Good warm up line
  • Warm closing
  • Make sure they can answer with a clear 'yes' 'no' or 'no, however'
Why is getting face to face so important?
  • You get a real idea of what they're like
  • More informed decision of if you want to work with them
  • Harder for them to get rid of you
  • Creates a better relationship
My tester email


Hollie's tester email









STUDIO: SSD POSTER ZINE